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Frida Kahlo
Self-Portrait Drawing
mk104
c.1937
Pencil and colored pencil on tracing paper
11.6x8.2in
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Frida Kahlo
Me and My Doll
mk104
1937
Oil on sheet metal
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Frida Kahlo
The Deceased Dimas
mk104
1937
Oil on masonite
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Frida Kahlo
Memory
mk104
1937
Oil on canvas
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Frida Kahlo
Four Inhabitants of Mexico
mk104
1937
Oil on wood panel
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Frida Kahlo
Tunas
mk104
1938
Oil on tin
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Frida Kahlo
Itzcuintli Dog with me
mk104
c.1938
Oil on canvas
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Frida Kahlo
Self-Portrait with Monkey
mk104
1938
Oil on masonite
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Frida Kahlo
Fruit of the Earth
mk104
1938
Oil on masonite
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Frida Kahlo
Still Life Life How i love you
mk104
1938
Oil on panel
22x14in
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Frida Kahlo
Xochitl,Flower of Life
mk104
1938
Oil on sheet metal
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Frida Kahlo
Self-Portrait the Frame
mk104
1938
Oil on aluminum and glass
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Frida Kahlo
Girl with Death Mask
mk104
1938
Oil and sheet metal.
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Frida Kahlo
The two Fridas
mk104
1930
Oil on canvas
67x67in
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Frida Kahlo
What the water gave me
mk104
1938
Oil on canvas
38x30in
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Frida Kahlo
Earth Herself or Two Nudes in a Jungle
mk104
1939
Oil on sheet metal
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Frida Kahlo
The Suicide of Dorothy Hale
mk104
1938-1939
Oil on masonit panel with painted fram
20x16in
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Frida Kahlo
The Dream
mk104
1940
Oil on canvas
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Frida Kahlo
Self-Portrait Dedicated to Sigmund Firestone
mk104
1940
Oil on masonite
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Frida Kahlo
Self-Portrait with Bonito
mk104
1941
Oil on canvas
21.6x17.1in
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| Frida Kahlo
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1907-54
Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.
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